Bacon (1) copy.jpg
Brooklyn Bridge
Brooklyn Bridge
Bucktown copy.jpg
Flea Market copy.jpg
MEDLEY.001.jpeg
IMG_0171 (1) copy.jpg
 Gramps did a series of pictures like this, where he used Spanish moss as a painting tool.  The leaves on the trees here were "painted" by dipping moss in paint.  

Gramps did a series of pictures like this, where he used Spanish moss as a painting tool.  The leaves on the trees here were "painted" by dipping moss in paint.  

IMG_0207 (1) copy.jpg
IMG_0145 copy.jpg
 This must have been a favorite -- it occupied a privileged place in Gramps' mother;s home for many years.  

This must have been a favorite -- it occupied a privileged place in Gramps' mother;s home for many years.  

City Park Oak
City Park Oak

This is a print made from a pen and ink original.  A grand oak tree in New Orleans' City Park. 

1977   11 x 8.5

IMG_0202 copy.jpg
New Orleans Neighborhood
New Orleans Neighborhood

Gramps would take sketches and paint the scenes much larger on Watercolor paper. 

 This is probably an attempt to emulate someone else's style, or perhaps is a copy.  Usually he'd indicate if he was copying a master--no such indication is here. 

This is probably an attempt to emulate someone else's style, or perhaps is a copy.  Usually he'd indicate if he was copying a master--no such indication is here. 

IMG_0649 copy.jpg
Birds.jpg
IMG_0941 copy.jpg
 Gramp was fascinated with flight, and loved thinking of the Wright brothers, who no doubt inspired this painting. 

Gramp was fascinated with flight, and loved thinking of the Wright brothers, who no doubt inspired this painting. 

 An early painting, done in Mexico in a workshop with his mentor, Dong Kingman.  

An early painting, done in Mexico in a workshop with his mentor, Dong Kingman.  

 Gramps experimented with this style in the 1950s.

Gramps experimented with this style in the 1950s.

 A Fall scene--now in the home of a family friend.  

A Fall scene--now in the home of a family friend.  

IMG_1226 copy.jpg
IMG_1263 (1) copy.jpg
IMG_1407 (1) copy.jpg
IMG_2249 copy.jpg
 Multiple scenes on a single sheet were common.  Whenever he was on vacation, he came home with dozens of sheets, each with several pictures.

Multiple scenes on a single sheet were common.  Whenever he was on vacation, he came home with dozens of sheets, each with several pictures.

IMG_5344 copy.jpg
Irish Bayou copy.jpg
 Gramps loved flying kites.  And he loved drawing kite fliers!

Gramps loved flying kites.  And he loved drawing kite fliers!

Kites (2) copy.jpg
Louisiana swamp scene copy.jpg
New York – Version 2 copy.jpg
New York – Version 2.jpg
 Gramps painted in New York and in Mexico with the Chinese-American watercolorist Dong Kingman.  He considered Kingman a great friend and mentor. 

Gramps painted in New York and in Mexico with the Chinese-American watercolorist Dong Kingman.  He considered Kingman a great friend and mentor. 

Paris  -- The Quay copy.jpg
Red Swamp copy.jpg
Sturgeon Bay copy.jpg
The Lighthhouse copy.jpg
Toulouse & Chartres copy.jpg
Vieux Carre scenes copy.jpg
 This is a picture he began in NYC and left unfinished. Gramps ran into it a year or so before he died and finished it up then. It has since found a good home where it is appreciated -- in New York.  

This is a picture he began in NYC and left unfinished. Gramps ran into it a year or so before he died and finished it up then. It has since found a good home where it is appreciated -- in New York.  

Bacon (1) copy.jpg
Brooklyn Bridge
Bucktown copy.jpg
Flea Market copy.jpg
MEDLEY.001.jpeg
IMG_0171 (1) copy.jpg
 Gramps did a series of pictures like this, where he used Spanish moss as a painting tool.  The leaves on the trees here were "painted" by dipping moss in paint.  
IMG_0207 (1) copy.jpg
IMG_0145 copy.jpg
 This must have been a favorite -- it occupied a privileged place in Gramps' mother;s home for many years.  
City Park Oak
IMG_0202 copy.jpg
New Orleans Neighborhood
 This is probably an attempt to emulate someone else's style, or perhaps is a copy.  Usually he'd indicate if he was copying a master--no such indication is here. 
IMG_0649 copy.jpg
Birds.jpg
IMG_0941 copy.jpg
 Gramp was fascinated with flight, and loved thinking of the Wright brothers, who no doubt inspired this painting. 
 An early painting, done in Mexico in a workshop with his mentor, Dong Kingman.  
 Gramps experimented with this style in the 1950s.
 A Fall scene--now in the home of a family friend.  
IMG_1226 copy.jpg
IMG_1263 (1) copy.jpg
IMG_1407 (1) copy.jpg
IMG_2249 copy.jpg
 Multiple scenes on a single sheet were common.  Whenever he was on vacation, he came home with dozens of sheets, each with several pictures.
IMG_5344 copy.jpg
Irish Bayou copy.jpg
 Gramps loved flying kites.  And he loved drawing kite fliers!
Kites (2) copy.jpg
Louisiana swamp scene copy.jpg
New York – Version 2 copy.jpg
New York – Version 2.jpg
 Gramps painted in New York and in Mexico with the Chinese-American watercolorist Dong Kingman.  He considered Kingman a great friend and mentor. 
Paris  -- The Quay copy.jpg
Red Swamp copy.jpg
Sturgeon Bay copy.jpg
The Lighthhouse copy.jpg
Toulouse & Chartres copy.jpg
Vieux Carre scenes copy.jpg
 This is a picture he began in NYC and left unfinished. Gramps ran into it a year or so before he died and finished it up then. It has since found a good home where it is appreciated -- in New York.  
Brooklyn Bridge

Gramps did a series of pictures like this, where he used Spanish moss as a painting tool.  The leaves on the trees here were "painted" by dipping moss in paint.  

This must have been a favorite -- it occupied a privileged place in Gramps' mother;s home for many years.  

City Park Oak

This is a print made from a pen and ink original.  A grand oak tree in New Orleans' City Park. 

1977   11 x 8.5

New Orleans Neighborhood

Gramps would take sketches and paint the scenes much larger on Watercolor paper. 

This is probably an attempt to emulate someone else's style, or perhaps is a copy.  Usually he'd indicate if he was copying a master--no such indication is here. 

Gramp was fascinated with flight, and loved thinking of the Wright brothers, who no doubt inspired this painting. 

An early painting, done in Mexico in a workshop with his mentor, Dong Kingman.  

Gramps experimented with this style in the 1950s.

A Fall scene--now in the home of a family friend.  

Multiple scenes on a single sheet were common.  Whenever he was on vacation, he came home with dozens of sheets, each with several pictures.

Gramps loved flying kites.  And he loved drawing kite fliers!

Gramps painted in New York and in Mexico with the Chinese-American watercolorist Dong Kingman.  He considered Kingman a great friend and mentor. 

This is a picture he began in NYC and left unfinished. Gramps ran into it a year or so before he died and finished it up then. It has since found a good home where it is appreciated -- in New York.  

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